Tuscany is a region whose countryside never ceases to amaze for its captivating beauty. Castiglion del Bosco also knows how to charm. Nature’s voice is heard loud and clear here, while man’s hand has always respected its verdant spaces and fine balance. The name itself revelas its character: the bosco,(wood), surrounding the Castiglion (walled castle), is the domain of deer, boars and pheasants. And of Sangiovese.
Castiglion del Bosco entered its new chapter in 2003, when it was transformed to its current glory by Massimo and Chiara Ferragamo. Renewal of both the architecture and the winemaking processes commenced immediately and today the wines of Castiglion del Bosco receive worldwide recognition for their excellence. In 2022 Castiglion del Bosco begins a new chapter in its history with its transfer to an international family office, who ensures the continuous development of the entire estate with a spirit of continuity.
The history of Castiglion del Bosco dates back to 1100 A.D., amidst armed struggles, assaults and the inprint of great Sienese families, who settled and brought here the artistic genius of Pietro Lorenzetti, whose precious Annunciazione dei Santi (1345 A.D.) still adorns the hamlets tiny church. Farming was always a mainstay, as seen in the stables, olive groves, farmed land, and vineyards. In more recent history, Castiglion del Bosco became a founding member of the Brunello di Montalcino Consortium in 1967.
The 2017 Brunello has certainly enjoyed the benefits of a careful selection in the parcels (including the Millecento vineyard). The wine has a wide nose. It maintains crisp fruit and floral notes. In the mouth it is elegant, complete and supported by an excellent acidity.
Review:
Aromas of ripe berries and plums with some flowers and nutmeg follow through to a full body with round tannins and a juicy finish. Slightly chewy, but friendly and succulent. Excellent 2017, despite the dry growing season.
-James Suckling 94 Points
Every now and then, in life and in wine, we are presented with unique opportunities to express ourselves and create something truly remarkable.
When rare opportunities arise, we need to capture, nurture and develop them so that their potential is fulfilled. So when Torbreck was given the opportunity to work with one of the most famous vineyards in the Barossa Valley, it became almost inevitable that the resulting wine would be truly remarkable.
In 2003, Torbreck growers and fourth generation descendants of the Seppelt family, Malcolm and Joylene Seppelt, asked our winemakers to create for them a small batch of Shiraz from their old Gnadenfrei vineyard in the sub-region of Marananga.
Planted in 1958, the five acre vineyard is traditionally dry grown and comes from an original Barossa clonal source. South facing, on the eastern side of a ridge separating the Seppeltsfield and Marananga appellations, these aged vines have been meticulously hand tended, traditionally farmed and pruned by a grower with a lifetime’s experience on Western Barossa soils of very dark, heavy clay loam over red friable clay. The resulting low yields of small, concentrated Shiraz berries make the vineyard the envy of all winemakers in the Barossa.
We looked longingly at the wine when it was returned to the Seppelts, knowing that it was the best we had ever made. In 2005 we convinced the Seppelts to sell Torbreck the fruit and The Laird was born. In 2013 Torbreck purchased the Gnadenfrei vineyard, securing The Laird’s reputation as one of the world’s great single vineyard Shiraz wines.
Torbreck is the name of a forest near Inverness, Scotland and you’ll find more than a passing nod to the Celts in our wine naming conventions. The Laird of the Estate in Scotland is the Lord of the Manor and master of all he surveys.
Review:
I poured the 2017 The Laird, set it aside and got about doing other jobs for 45 minutes or so, to give it some room to breathe. And it does breathe. It has its own pulse and beat and life, and it flexes and moves in the mouth. This is incredibly enveloping, with aromas reminiscent of campfire coals, charred eucalyptus, lamb fat, roasted beetroot, black tea and a prowling sort of countenance. In the mouth, the wine is bonded and cohesive and seamless, there are no gaps between anything, no space between fruit, oak and tannin; it all comes as one. While this is a singular wine, it is so big and concentrated that it needs no accompaniment other than some fresh air and a good mate. It's denser than osmium and is impenetrable at this stage.